Happy belated supermoon/ Ostara/ spring equinox! It was the closest coincidence of a full moon with the equinox since 2000, so we hope you did something magical to celebrate! (Katie and Jenny went to see the superbloom poppy fields in Southern California.)
We apologize for the delay getting this posted. Katie’s been going through some major life events, which got in the way of editing, but it’s never too late to enjoy our VERY fun discussion about The Wee Free Men, the first Tiffany Aching book in Terry Pratchett’s Discworld series. Plus we have a gorgeously updated theme song from the talented Sarah Little Drum! (Listen to more of her music on her website.)
Here’s a listening guide for the episode. (For a description of our segments, go here.)
Welcome/ Pant Chant/ Introduction (0:00 – 10:15)
“Are You a Good Witch or a Bad Witch?” (10:20 – 35:20)
May’s full moon is known as the Flower Moon, Mother’s Moon, Milk Moon, and Bee Balm Moon. (Check out the end of this post for a fun lunar ritual!)
In this not-so-mini minisode we touch on a whole range of topics, including the reframing power of travel (perfect for a full moon in Sagittarius!); the grounding effects of place and heritage; Carnival and the liberation of marginalized bodies; the peculiar magic of royal weddings; fairies, ghosts, and monsters, and just about everything except witches–which is ridiculous, considering our conversations were centered around New Orleans and Scotland! (To make up for it, I’ve linked some witchy recommendations below.)
Our thanks to Sarah Littledrum for providing the theme song, “Moon and Spruce” (she gets a bee-themed shout out from Jenny in this episode!), and a very special thank you to Linda’s sister, Alisha, who rescued Linda’s recording for us when Linda was out of town.
Finally, if you are moved by Linda’s account of the devastation of Hurricane Katrina, please consider donating to help the people of Puerto Rico who are still suffering from the damage caused by Hurricane Maria. You can find a list of relief organizations here.
Excerpt: “Carnival liberated human consciousness and permitted a new outlook by allowing common people to organize themselves ‘in their own way’ as a Carnival crowd. According to Bakhtin, the basic mechanism by which Carnival achieved its liberating effects was through turning the world upside down, especially by privileging images from the earthly underworld and the lower body, what Bakhtin called the ‘material bodily lower stratum’ represented through ‘grotesque realism'” (99).