Minisode 2.2 May Grab Bag

May’s full moon is known as the Flower Moon, Mother’s Moon, Milk Moon, and Bee Balm Moon. (Check out the end of this post for a fun lunar ritual!)

In this not-so-mini minisode we touch on a whole range of topics, including the reframing power of travel (perfect for a full moon in Sagittarius!); the grounding effects of place and heritage; Carnival and the liberation of marginalized bodies; the peculiar magic of royal weddings; fairies, ghosts, and monsters, and just about everything except witches–which is ridiculous, considering our conversations were centered around New Orleans and Scotland! (To make up for it, I’ve linked some witchy recommendations below.)

Our thanks to Sarah Littledrum for providing the theme song, “Moon and Spruce” (she gets a bee-themed shout out from Jenny in this episode!), and a very special thank you to Linda’s sister, Alisha, who rescued Linda’s recording for us when Linda was out of town.

Finally, if you are moved by Linda’s account of the devastation of Hurricane Katrina, please consider donating to help the people of Puerto Rico who are still suffering from the damage caused by Hurricane Maria. You can find a list of relief organizations here.

 

Related Links

Our Outlander episode

Our Akata Witch episode

 

About women and masked/ liberated bodies in Carnival:

The Masked Merriment of Mardi Gras

History of All-Female Krewes

Women krewes march, dance into Mardi Gras history

  • Excerpt: “All the clubs owe a huge debt to the women-led social aid and pleasure clubs. … That image of women being able to be sexy and have a different body type really came from black Mardi Gras.”

NOLA History: Women in Carnival

“Carnival and the lower body” from Ritual in Early Modern Europe by Edward Muir (a little more on the academic side, but it unites several threads of our discussion)

  • Excerpt: “Carnival liberated human consciousness and permitted a new outlook by allowing common people to organize themselves ‘in their own way’ as a Carnival crowd. According to Bakhtin, the basic mechanism by which Carnival achieved its liberating effects was through turning the world upside down, especially by privileging images from the earthly underworld and the lower body, what Bakhtin called the ‘material bodily lower stratum’ represented through ‘grotesque realism'” (99).

 

About Scotland:

History of Scotch Whisky

Katie’s travel blog (see the Gryffindor apartment here)

Culloden Battlefield

Loch Ness Centre and Exhibition

Grey Cairns of Camster (which Katie crawled inside and immediately regretted)

The Jacobite Steam Train (aka Hogwarts Express)

Witch trials in early modern Scotland

 

Witchy Recommendations

Louisiana State Museum

Witchy things to do in New Orleans

Tess of the Road by Rachel Hartman

Secret Feminist Agenda Episodes 2.18 and 2.19

Botanical Folk Tales of Britain and Ireland by Lisa Schneidau

Llewellyn’s Witches’ Datebook 2018

All of Scotland! (Katie stayed in the Highlands, but if you happen to go to Edinburgh, be sure to check out all the witchy things!)

 

And finally, here is the ritual Jenny shared from Llewellyn’s Witches’ Datebook. (Plus a resource for creating your own rituals.)

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Episode 1.5: Outlander

Happy full moon! In this episode, we dive into Outlander by Diana Gabaldon–and a little bit into the television adaptation as well.

Content warning: rape, sexual assault, domestic abuse, torture, homophobia

Our theme song is “Moon and Spruce” by Sarah Littledrum.

Here’s a listening guide for the episode. (For a description of our segments, go here.)

Introduction (0:00 – 2:40)

Which Craft? (3:03 – 18:01)

  • First impressions
  • Genre expectations and subversions
  • Gabaldon’s process
  • Writing dialect
  • The book’s structure (plus some musings about time travel)
  • Foreshadowing and parallel moments

Related Links

Romance: Genre Expectations and Fantasy Fulfillment (Writing Excuses podcast)

About the Romance Genre (Romance Writers of America)–this is a better definition than the one Katie provides in the episode

Scottish Accents in Outlander (YouTube video)

“Are You a Good Witch or a Bad Witch?” (18:06 – 41:45)

  • Traditional gender roles and departures
  • Jamie’s performance of masculinity vs. Arthur, Dougal, and other Scotsmen
  • Domestic abuse
  • Consent in marriage
  • The changing concept of race

Related Links

Scottish People React to Outlander (YouTube video)

Women in Early Modern Scotland

What is Whiteness? (New York Times)

Marble Statues and Whitewashing History (Vice)

“Bald Heads and Queer Noses” (41:49 – 1:08:51)

  • Jamie’s rape and the text’s treatment of homosexuality
  • Disability and adaptability (Colum, Hugh, Ian, etc.)
  • Jamie’s scars and his relationship to his body
  • Physical manifestations of emotional trauma (the body as text!)
  • Jamie’s hand (and Claire’s)

Related Links

Twitter Thread about Male Violence

What Do We Mean When We Say “Toxic Masculinity”?

“Treguna, Makoidees, Trecorum, Satis, Dee!” (1:08:55 – 1:19:55)

  • Defining witchcraft
  • Druids and Mrs. Graham
  • Claire as witch
  • Geillis as witch
  • Different types of knowledge (vs. superstitions)

“Round About the Cauldron Go” (1:19:58 – 1:34:30)

  • Claire’s role as healer and her connection to nature
  • Jamie’s connection to nature
  • Jamie’s healing process and rebirth

Related Links

Native Healing and the Medicine Wheel (Native Voices)

Final Spells (1:34-34 – 1:36:43)

  • The Loch Ness Monster!?!?

Blooper Reel (1:37:41 – 1:38:00)

Our next episode will be about Hocus Pocus (1993 film). See you on October 5! (Don’t light the black flame candle!)